
Last
year I had the pleasure of working on a demanding but very satisfying project
in the Dominican Republic. My assignment was to create a realistic finish based
on indigenous coral stone that is found throughout the island (often used for
stone walls surrounding properties) and apply it to the outside of a
bungalow-style house in the country outside San Pedro de Macoris. I chose to
use a cut-block shape that incorporated the many colors found in the coral
stone.
(I
wanted to show juxtaposed photos so please be patient if they take a little
longer to download)


Before
After


Before
After
As
you can see by the photo on the left and one above, the walls started out white.
To achieve this a textured cement mixture was applied, primed & painted flat
white. The front of the house shows the beginnings of the block layout. This was
done by measuring & marking what would become the "mortar" lines.
The black "mortar" lines pictured in the photo are actually made
by applying black 1/4" tape over the entire surface.

During
After
The
above examples show that each block was individually painted using a pigmented
glaze mixture after which the black "mortar" tape was removed to reveal
the white surface beneath. Then using an artists' brush the "mortar"
was painted on using another glaze mixture.
The entire surface was then sprayed with a marine varnish as an extra precaution
against the hot, humid weather and potential hurricanes experienced on the
island.
During
After
Another During
& After image.
Two
more After photos. Click on images for larger views.
This
project is a good example of the steps required when producing realistic faux
finishes.
-------------------------------
The
following samples cover a wide variety of available finishes that can be applied
to virtually any surface. Most of the faux finishes are created exclusively
through the manipulation of paint. The gilded finishes are created using
traditional techniques. These finishes are often "aged" to further add
authenticity. Of course, Traditional Gold Leafing, both water and oil gilding,
is available.
(Click
On Image To Enlarge)
(Click
on 'Back' Button to Return to Finishes Page)
Gilded
Finishes



Patinated
Silver Leaf


Patinated
Copper Leaf


Patinated
Metal Leaf
The
verre églomisé pieces are reversed gilding on glass. A design is etched on
glass that has been gold leafed. The back is then covered with a glaze or japan
paint. They can then be framed or backed with felt.
(Scanning
through glass does not fully capture the glow of the gold leaf design)

Verre
Églomisé
22Kt
Gold Leaf Backed w/Multi-Colored Glazes

Verre
Églomisé
22Kt
Gold Leaf Backed w/Tinted Glazes
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Glazing
Samples
(Click
on Image To See Detailed Enlargement)
(Taken
from Wall Glazing Projects)

Top
Coated / Uncoated
2
Color Glaze

Ragging

Rag
Rolling

Strié

2
Color Glaze

2
Color Glaze w/Stencil
Top
Coated / Uncoated

Top
Coated / Uncoated

Textured
gypsum compound
Multi-Color
Glaze
Coats over solid base coat / Top-coated

Raised
(3-D) Stencil on Textured Wall
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Faux
Marble-Faux Bois-Etc.

2
Types Limestone Blocks
with
Faux Granite Chair Rail and Door Frame


Bookcase
- Before & After


Wall
- Before & After

Red
Levanto Marble

Faux
Verde Marble

Faux
Limestone Block
(Interior
Wall Finish)

Faux
Mahogany w/Gold Inlay

Faux
Raised Panel

Faux
Verde Marble
(Finish
Applied To Wall Unit)

Faux
Ebony / Faux Zebrawood

Faux
Red Jasper Marble

Faux
Greek Rose Marble

Faux
Verde Marble

Faux
Arabescatto

Faux
Yellow Sienna Marble

Faux
Marble & Granite

Faux
Pink Himilaia Granite

Diamond
Plate with Faux Granite and Metallic Over Glaze

Detail

Library
with 3 Color Glazed Walls
and
Faux Antiqued Chinese Lacquered Bookcases and Wood Work

Wall
Repair - Before

Wall
Repair - After

Faux
Mosaic Tile
Entrance
Bambou Restaurant - NYC

Stencil
Detail

Crackled
Paint (Detail)

Crackled
Paint (Detail)

Crackled
Paint (Detail)
917.664.1159
michaelsart@nyc.rr.com
©SCHAEFER
2007
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